Production Notes
Northern Lights was born from a dream. It is the only song I've ever dreamed, woke up, and made real. The main motif was so strong, and I was so inspired by it, that when I awoke (at about 6am) I went straight to my recording studio and began putting it together. By midnight, the composition was complete. At the time there was no title and no visual inspiration. As I listened to the finished result of my demo I began to envision the universe - space - and finally swirling dancing lights. This naturally led to me naming it Northern Lights. Having seen the northern lights on a trip to Fairbanks, Alaska in 2004 the music seemed to fit the magic of the astral phenomenon. In my previous CD, Sacred Age, I utilized a duduk on Trail of Tears. The Armenian duduk is the oldest known reed instrument dating back over 2000 years. I love the ancient, haunting, hollow, English horn-like sound so much that I chose to use it again on two songs on this project - Northern Lights and All is Well. There are very few duduk players in the U.S. but fortunately Albert Vardanyan lives in California and he is a great session player. His performances have been featured on many movie soundtracks. Apparently the string arrangements that I composed for this song were more intricate and complex than usual. David Davidson, the leader on the string session in Nashville approached me when we took a break while recording this piece. He simply said, "This is hard!" However, everyone enjoyed the challenge and I give the players, some of the best in the world, an A+ on knocking it out of the ballpark.
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